Showing posts with label Desmond. Show all posts
Showing posts with label Desmond. Show all posts

Saturday, February 8, 2020

The Top Lists

Hey-ho-let’s-go talk about something a little lighter. Ranking systems, contrived or rooted in reality, have always captured my attention with such vigor that I often find myself arrested by them. It’s cathartic, discovering what is—and is not—worthy of our affections. A crystalline high like no other. (Maybe it’s similar to the effects of public shaming, or social outrage, knowing that the world’s fattest man was ousted by some young upstart from Wisconsin?)

Even though it's slightly delayed, I wanted to feel out the things that moved me in 2019. So the following categories summate my spurious attempt to do so. (Does anyone else alliterate when they’ve had a couple of beers?)

YouTube Channel



YouTube has evolved so much that I scarcely remember what it was before. But what it is now is a wide array of DIY cable networks, where the things you actually like are all prepared and ready to be viewed at any time, any place. This year, while videogamedunkey and Easy Allies have vied for my affections, I somehow have come to love TysyTube Restoration. Tysy, who I suspect is from Switzerland—his pieces are demonstrably European, varying between French, German, Spanish, and Italian—finds derelict baubles and proceeds to renew them with practical equipment that I’ve known my whole life. Much like the surgical videos that cater to cathartic eruptions emanating from pustule-ridden human tissue, there is an inherent relaxation that accompanies Tysy’s exhaustive and meticulous excise of wretched decay from inauspicious relics of the past. (Ooof! This is a strong beer!) I think there is an eternal sediment that awaits to be shaken from our lives. We all yearn for it. We all seem to be guided toward this principal that we are in need of cleansing and purification. Tysy’s renewal, then, must be tapping into a reservoir far more primal than cat videos and pirated broadcasts of Last Week Tonight with John Oliver.

Book

What a difficult thing to quantify: books and their recreational appeasement. I have read The Mysterious Flame of Queen Lorana, The Island of the Day Before, Numero Zero, A Once Crowded Sky, and just began reading Baudolino. There have been comic books as well. There always is. But the act of reading a book always—to me at least—becomes a comprehensive investment. Even though I haven’t finished it yet, I find myself just enthralled with Baudolino, which narrates the exploits of the eponymous main character through a very playful adventure of wit and deliberate candor. As always, the story qualifies as “historical fiction,” given the breadth of detail given to reconstructing the 13th century milieu of continental Europe. Umberto Eco, author of all the above (except A Once Crowded Sky), wields a level of interdisciplinary competence that I have not yet encountered in any living person, other than N.T. Wright. His stories are exhaustive and precise. Every detail is intentional. Not only are they entertaining, they are informative and critical of society and historical movements that predominated each era of Western Civilization. Much like Paul Gilbert (a virtuoso guitarist), Eco very much conveys his love for his subject, and his unrelenting desire to communicate the way he feels through his work.


Album



The Similitude of a Dream kept me above water for the later half of 2019 in a way that I had never thought possible. Especially because most Christian music is terrible, filled with bad theology, and songs that lack the emotional honesty suited to the average human being. Neal Morse is well known in the progressive rock community as a singer and songwriter, and adept at cultivating a community of session and touring musicians. And despite the fact that he unabashedly writes christian worship music, musicians from all philosophical dispositions love collaborating with him. Mike Portnoy, who left Dream Theater in 2010, once said that he equates Neal Morse to Paul McCartney in song writing ability. Personally, I feel, Morse lends an artistic credibility to christian music (compositions and lyrics) that have not been (in my opinion) demonstrated since the Enlightenment. The Similitude itself is a double album, within a larger double album (Bro...), based on John Bunyan's Pilgrim's Progress. Like most progressive rock albums, there is a story that spans the entire work, chronicling the tumultuous life of a man seeking God in the real world. The album is all over the place emotionally, and seems to touch all the parts of life that we, as people, encounter on a daily basis. Incidentally, it's one of those albums that I wish I had in my early christian years. Broken Sky, to put it bluntly, saved my life.

Friend



It's Desmond. (Who the fuck did you expect?)

Instrument

2019 was one of those years where, after a decade of not playing music on a regular basis, I wanted to make my glorious return. When I was in college, I was the lucky recipient of a cash prize from abstaining from alcohol until I was of legal age, which I used to buy a guitar, custom built to my specifications. I immersed myself in the speculative guitar making community, researching the different tonal aspects of wood and why they are used. Guitar pickups were another abyss I had to wade through, listening to different sound samples from guitars of similar build materials. After this rock-polishing, tumultuous journey, I received the guitar which had been damaged in shipping and I had to wait an additional 6 months before it was repaired. After putting an additional $1000 into the instrument, I was 30 years old and feeling completely shitty about my adventure in guitar gear.

However, last year, I finally got the genuine item (used): the Ernie Ball Music Man John Petrucci signature guitar. And, in one, year I went through more strings than I have in almost ten years.



I have a really ugly guitar face...

...

I'd like to do this more often and I'm hoping to actually get a more formal list coming soon for each new year. I hope I was able to make you laugh, ponder, and muse.

~Happy New Year!


Wednesday, December 19, 2018

The Truth About Writing Books

#TheStruggleIsReal


Work on my second full-length novel continues, slowly. With the holidays and my wife being sick, it’s been hard getting out to Starbucks and remaining there for my typical 6 hour writing sprints (6am-12noon). Yet, even if I did, I’m finding my chapter-per-weekend progress is slowing down as I begin to sort out the final plot details, make sure my climax doesn’t fall flat, and consolidate the denouement. Creating an enemy to hate, redeeming a flawed hero, and giving weight to a fictional world is a monumental task, and it’s always at the end that the gravity begins to pull you down like a rollercoaster bottoming out. That said, the second draft is always the hardest—I’m sure I’ve mentioned this before—but for some reasons you might not expect. For me, I call this stage I’m in the “Longhaul Blues.” That is, the period of disillusionment and creative depression. After looking at sprawling sections of old passages that are, at this point, almost 2-3 years, you want to give up sometimes. Note: the benefit of long term writing projects is personal growth. Then, you start looking at Chapter 1 and the writing is beyond shit and the reality settles that every moment forward will be a slog. To reform and refine what’s there, from coal to diamonds. In a way, it’s both a victory and defeat, seeing how much progress has been made.
The acts of reverse engineering that occur when implementing the notes from draft 1 constitute the bulk of the time; which, when handled by my friend Desmond, often play out like a friar’s club roast. Incidentally, the first notes I received from him for Spirit of Orn made me laugh so hard that I was crying. (That was back when I was washing dishes at Stone Brewing Company, and every lunch break was a release from the unrelenting torment of that place.) This is the best kind of feedback. Something that forces you to realize that you “ain’t shit” and that you ARE NOT the greatest writer of all time. Humility that knocks you on your ass, that grounding, helps embed you with your own characters even, drawing your perspective down to theirs. (Life isn’t fair, there is no rudder (narrator), the struggle is omnipresent, etc.)
There is a layer of fog between the work and yourself after a while. When becoming over-familiar with something, the side effect that comes is that suddenly everything looks overdone. Certain writing conventions and stylistic choices become wrote and it begins to drive you mad. In reality, readers will not catch these devices, most of the time. They key is variety. And you also underestimate the degree by which a reader will “fill in the blanks,” hold a picture in their head of how details transpire unique to themselves. The writer doesn’t see that step in the author-fan dichotomy.
But, I’m getting ahead of myself. Post-draft 1 research typically begins after reviewing the notes from draft 1. (Desmond initially asked me to read Notes on the Underground and Brave New World for more insight into my main character in Spirit of Orn. Another friend, Bern, told me that I should tune the narrative to fit with a specific audience, which at the time was split between a Christian and a Science Fiction/Fantasy crowd. I chose the latter.) The books that were recommended to you, the essays that corroborate the narrative, films with conceptual inspiration, all of this prepares me for the moment leading up to starting the second draft. It’s like clinging to a life raft in a storm. Oscillating unto cresting waves before crashing down into the foam. Over and over. Then you reach a point in a chapter only to find that about 45% of it will have to be rewritten? The struggle is real friends!
My process is very regimented. That’s intentional, to a degree. I think structure helps keep the momentum, to know what comes next. The Pre-Life crisis (as opposed to mid-life crisis) comes after college, not during freshman year of high school. Its easy proceeding forward knowing what comes next. Once you are done, then what? That where shit really gets tough.
But that’s a blog for another day.



  

Saturday, June 24, 2017

It's Not About The Lemons

I had this very bizzare, very “Santa Barbara” experience at the farmers market today.

I was picking up the essentials (lettuce), as I am wont to do every Saturday morning. Usually there is a vendor selling Meyer lemons (great for salad dressing), so I found one quickly and went to pick out four of them (50 cents each) and fumbled with three of them, attempting to reach a fourth. This woman, who came after me, swooped in and started grabbing the ones I was going for. I made a comment that I was grabbing at least one more and she looked at me unapologetically, holding her $5 cup of coffee from the Handlebar, and just said, “sorry.” (What she meant to say was, “Fuck you and your lemons!”)
A phrase that I own and coin often is something akin to, “I’m a socialist. But it would never work in America.” There are variations of the same phrase that I often rehearse but the essence is there. I say this to my chagrin because I have been influenced in my life by events that make me pine for fairness. (Getting beat up at school, being viciously made fun of, and raised up under unremarkable circumstances. Also, my own parents have never even read my first book.) It has made me characteristically cutthroat and exploitative and I often wonder if there is an alternate timeline where things were better. At its core I’ve always felt enamored with a political and social mindset where people shared their resources to make the world a better place.
Facebook, among other outlets, sings the same familiar tune. (And when played backwards, you hear the Satanic inverse.) But I don’t think people practice what they preach. I’m a god damned positivist and I don’t practice what I preach. The socialist voice in America isn’t the same pitch and timbre of the places where this actually works, and I think for the most obvious reasons.
American nationalism peaked at the conclusion of the War of 1812. Subsequent spikes are the work of foreign wars and social upheaval, intermittent incidents in a long national history of eulogized selfishness. Even a Christian cult emerged, Mormonism, which nationalized religion and mythologized America’s origins, placing the United States at the origin of the universe. (The opposite was the Jehovah’s Witnesses, a Christian cult emerging at the height of political corruption in the United States, which eschewed all appearances of nationalism.) At both of these peaks and valleys, American expression remained steady in its love of self-interested wealth. Our constitution is rooted in the Pursuit of Happiness, appended by the inferred, “And if you infringe upon mine, why I oughta’…”
The contrast that we see in Europe, the social milieu that makes socialism so viable, is their roots in tribalism that goes back thousands of years. There has always been infighting between states, but uncanny internal bonds. And while there has always been a sectarian conflict between ethnic groups within states, once these states matured past the frustrations of religious and class warfare, there has been a reasonably steady peace. War has also hardened these bonds on kinship. For instance, Russia has repeatedly attempted to invade Finland over the past thousand years, with the Fins rebuffing many, if not all of the assaults. The shadows of Empire have also strengthened national resolve, in the case of Norway being a property of Denmark for nearly 500 years. (They celebrate their “independence” every Seventeenth of May.)
In the United States where we are so blessed with an abundance of natural resources, acquired over the centuries through many shrewd dealings, our sordid gains have likely made us complacent. Combined with the mentality of Frontierism, prosperity through expansion and entrepreneurship, we have inherited a mindset from our forebears that is untenable in our exhausted real estate. We expect wealth and receive it from the least of our peers: migrant workers, wage slaves, immigrants, etc. Even myself, a proponent of ensuring we invest in our citizens through community programs and education, I have everything to gain from an economy that favors my willingness to exploit the labors of others.
All this came to a head, flashed before my mind, as I sarcastically, non-confrontationally, replied, “Wow, this IS Trump’s America.” It is very likely that I will not see this woman again, but given the demographics of Santa Barbara, she is statistically likely to be a Democrat, a social progressive, anti-corporation, pro-choice, drive a fuel-efficient vehicle, and pro-immigrant. Yet, at our core, we are a despicable people trained to look out for “number one,” and like a handful of Meyer lemons, we are more concerned about our welfare than that of others. Imagine the paradigm shift that I experienced when I saw this complete reversal in Norway when I was able to spend time there. I constantly compare my brief time there with my lifetime here. And while I’m sure that Norway has its own kind of culture shock due to its inherent bureaucracy and insistence on social conformance and enculturation of immigrants, the underlying spirit of their social contract is present and palpable.
Enough with myself bitching about lemons…

My second book is coming along with the first draft complete and being out for feedback among my inner circle for notes. I am hoping for another set of great comments from my brothers of other mothers Desmond and Bern. Soon I can start draft two and really dig deep into it.

My daughter Eowyn continues her external gestation. She’s doing good, and my wife also.

Thursday, May 18, 2017

RCT, Easy as 1,2,3

It’s been a long time – too long.

My book’s first draft is complete and I’ve sent it to my trusted advisors for their notes and insight. This is a common practice, one that I had only recently heard of and embraced by accident when I gave my first book to my good friend Desmond. He proceeded to shit all over my book. That sounds bad, but it wasn’t. It was eye opening. Everyone should be subjected to criticism, even if you’re fucking James Joyce.

I get these moments that come and go. Fleeting ideas that condense and then dissipate like morning mist in the desert. I like writing about these but I don’t, because they are rants. And no one wants to read that shit. Most of the time I think about them because I’m mad at something, or someone. Or, I am sitting alone and recounting the day’s events and considering the slights that I received and then avenge myself by articulating these brisk and colorful responses.

One, however, coalesced.

Something that has always bothered me is the concept of white guilt. Let me preface this by affirming that there is a deep need to reassess the social and economic damage that Americans have inflicted upon indigenous people. We owe the descendants of slaves, the victims of failed Reconstruction era politics, a fighting chance to compete and receive the education they deserve. I can go on, but it would detract from the point I want to make.

Like all things, the narrative of prejudice is hopelessly complex. Let me summarize: Realistic conflict theory, as demonstrated by the Robbers’ Cave Study. I find this study fascinating, mostly for the confirmation bias it offers me in my spiritual views on the nature of humans. The experimental model of the study is rudimentary, and lacking in the sophistication of modern psychological studies that attempt to account for extraneous variables, and deploy methodologies that curb all manners and sorts of bias. Still, I think it demonstrates a tendency for prejudice to occur as a byproduct of social, political, economic, and existential tension. And I suppose what bothers me so much about this concept of white guilt is that the narrative is embedded in western civilization, largely ignoring the social narratives of other cultures where there was a demonstrable presence of ingroup/outgroup prejudice. We only ignore it because we don’t wish to make the investment of investigating the “oriental,” the “other,” and bridge the gaps we make between western civilization and the myriad expressions of humanity.

In High School, I knew a “feminist.” We are decent friends today, Facebook friends (for what it’s worth), and our contact is cordial and mutually beneficial. But it’s interesting how our relationship evolved over prolonged periods of antagonism (mostly because, at the time, I had a crush on her). She would make these outrageous, though not misplaced, claims that because I had a dick, I had wronged her, which seemed a bit harsh, granted that I had never done anything to her. It was classic “guilt-by-association.” Nevertheless, it is wrong to pay a woman less than a man because of their sex. It is wrong to view a woman as not capable of arising to the occasional “manly” deed, mostly because men and women offer mutual benefits to working together in synchronicity. It seems disingenuous, if not hypocritical, to hoist one’s self onto a banner of moral superiority and commit the same crime: devaluing someone because of their genitalia. And the same is true of “race,” which is a bit overstated, as we are all homo sapiens.

To further my point, over the last few months I binge-watched Star Trek: The Next Generation, which was a science fiction television show flexing its intellectual muscles in the late 80s and early 90s. In all seven seasons were captured hypothetical arguments and debate over the preoccupation with Cold War paranoia and interracial conflict – magnificent and worthy pursuits all. I enjoyed the show for its rampant, albeit unintentional, embrace of Globalism, sundering conflict and quieting planetary squabbles under the pretense of dissident races joining the Federation of Planets. It teaches us about the worthiness of our ethnic values, while at the same time devaluing them because they innately encourage the very realistic conflict theory studied by Muzafer Sherif. All ethnicities are, in the end, are artificial divisions based on superficial expressions. To be “enlightened” is to, instead, join hands toward a common goal, and cease the perpetual blame game that has progressed into the 21st century. This is all the ad absurdum reductionism that I could glean from the show, whether they would like to acknowledge it or not.


The issue of white guilt that I have is the caveat of its proposition. I myself have never enslaved a human being or devalued one based on its sex, ethnicity, social tier, or religion. Yet I am devalued based on the assumption that my default predilections are innately sinister. Were I a Martian, living on mars with other Martians, with red skin, and there was an equally powerful group of green-skinned Martians, and we were at each other’s throats for our superficial differences, it would seem very silly to us, but it would make sense to Muzafer Sherif. He would watch us from afar taking field notes in a dust stained moleskin about our petty disputes over limited resources. And, suppose, that I am wrong, and there is no God, I have only just described the very basic principles of evolutionary biology, in which a dominant group supplants another because of their supremacy in means and resources. So I am at a precipice, a crossroads. I have the opportunity to believe that racism is as natural as Realistic Conflict Theory, but I won’t because that’s fucking stupid and we have a choice. We have always had a choice. I believe, wholeheartedly so, that this is who we are when we are blinded by our own egos. But I reject it as the definitive mode in how we operate.

Friday, December 30, 2016

Jared's Best Man Speech

In honor of my friend Jared getting married today, I wanted to say a few words on his behalf. The below is a transcript of what I will say at his reception: 

Thank you all for coming today. My name is Stuart, the Best Man, and I wanted to take some time to talk about Jared for a moment.

Some of you might know Jared through Julie, or know him as a friend, co-worker, son, or colleague. I know Jared as a friend. We lived together in college for about a year and I had no idea that I would still know him almost ten years later. I have many stories about Jared, but one of them stands out. I had just moved in with him and was still feeling out my roommates for their quirks and oddities. Jared was the guy that came home late with other women, not to sleep with them mind you, but to do far less raucous things like cuddle and play boardgames. But I sat Jared down and talked to him explaining that what we did at the apartment, which was a complex in Isla Vista leased to exclusively members of Campus Crusade, was sacred. We were out on display for the world to see and I wanted to hold him accountable. To my incredible surprise, Jared listened. He heard me out. And we built on that moment a mutual, sacred trust that has sharped us together, perhaps like iron on iron, or something like that…


We are all told that we are special. That we can do anything. I don’t really believe that now that I’m older, but Jared is one of those people to watch because he is destined for great things. His career as a writer and teacher are already in their infancy and he has distinguished himself as top of his class, par excellence, with his colleagues and fellow members of the Academy. Why? Because Jared is a magnate for discussion, someone that people naturally gather to because they see in him something wonderful and special. He challenges us by his example to question our beliefs and follow in the footsteps of Socratic liberal education, that we may think critically about the information that vies for our affections in a world of increasing ambiguity and obfuscation. And incredibly, as much as Jared challenges us and helps to mold us, the teacher that he is, there is Julie that has drawn Jared to herself. You see, if you knew Jared, you would know his aloof spirit as well as me. “Bear-bear” is always on the run, unmoored by his years of growing up across the oceans in the jungles of Indonesia and urban China. But he has finally, at long last, found someone to tie him down in the boudoir and write a new story about a man and a woman finding each other, seemingly from opposite ends of the world, and starting another generation of rootin-tooting, suspiciously hairy, crawdad catching, Whites.