Earlier last year my boss gave me the first six seasons of King of the Hill as a gift, but I’ve had
a longstanding admiration for the show and had seen most, if not all, of the
episodes. Re-watching the show uncovered old memories and reflections that
compelled me to write what you are about to read. I was exposed to the show
both when I was a young kid and an adult, first watching the episodes on Fox
during the celebrated Sunday night lineup, and catching re-runs on Cartoon
Network’s adult programming block, Adult Swim. For those not familiar with the
premise (heaven forbid it), the story is centered around the Hills, a family
living in a Texan small town called Arlen, based off of other cities found in
the DFW Metroplex. Even though the population is around 140,000 people, local
tradition is defiantly proud, with many people out on their doorsteps supporting
parades, high school football games, and patronizing local business, all centered
close to the town. Outside the city limits, other small towns with their own
traditions and cultures staunchly enforced, rival that of Arlen, the chief
being the town of McMaynerberry. The entire show focuses on the rural life of Middle
America with a comedic, astute level of detail. The show’s creator, Mike Judge,
who grew up in Texas in a town very much like Arlen is privy and intimately
familiar with the regional attitudes and customs.
Of
course, the show’s titular character, Hank Hill, is the star of the show,
depicted as an idealistic, naive, suburbanite with unapologetic moral
character. And though the first season depicted Hank as coarse and stereotypically
conservative, the depth of his character comes to light in subsequent seasons,
as writers of the show created the portrait of a man that is principled yet
capable of easily misunderstanding the changing world around him. Hank is
exposed to modern elements of the world (cosmopolitan, postmodern ideals,
“liberal” ideologies, unique subcultures, and various ethnicities) throughout
the show’s duration, often following a plot like the one below:
- · Hank encounters a subculture
- · Hank struggles with the values of that subculture.
- · Hank ultimately accepts or rejects the subculture (by reasoned or arbitrary means).
The tension between tradition and new thought is constant, ultimately
striking a perplexingly palatable middle ground. In this regard, Hank truly is the
archetypical American male acting as an ecumenical bridge between liberalism and conservatism.
The
supporting characters in the show are varied across different socioeconomic
backgrounds and ideas. Hank is supported by his wife Peggy and his son Bobby.
(Their relationship I will elaborate on later.) Hank’s neighbors, all of whom
are developed throughout the series, are colorfully nuanced. Dale Gribbel, Boomhauer,
and Bill Dauterive serve to contrast Hank’s ideals. Dale is a conspiracy
theorist, paranoid and unsettled. Opposite of Dale is Bill, a hopelessly naïve
and sad individual, willing to believe anything if the result is his own
gratification. Boomhauer is the least developed in the series, but strikes a
moderate balance between Dale and Bill while still retaining faults and
complexity.
Dale
and Bill are easily my favorite characters in the show due to their co-dependency
featured throughout the show’s run. Despite being characterized as a conspiracy
theorist and always suspicious of the world he occupies, Dale often makes
inaccurate assessments of his surroundings. And despite the trouble he gets
into, Hank sees him as a friend that he can confide in, even though Hank’s
father, Cotton Hill (an embittered war hero), continually presses Dale to antagonize
Hank. A prominent plot point featured in the show is Dale being cuckolded by
John Redcorn, an Anasazi descendent that drives an open top Jeep blasting 80s
metal. Dale is entirely unaware that his son Joseph, with dark, rust colored
skin, is not his biological son. Yet, despite being completely unaware of this,
Dale continues to be a good father, immersed in his own male fantasy of
charisma and sexual bravado.
Dale’s
opposite, Bill, I believe acts a foil. Where Dale initiates conflict, Bill
participates willingly because he is so morosely depressed. Bill’s background
is that of a well-to-do football athlete of rising acclaim. Once possessing the
bravado and popularity as a record-holding high school senior, Bill’s strength
is reduced by a manipulative woman (Lenore) who utterly ruins his life. Bill
makes me laugh the hardest, as I watch this picturesque, sad individual
constantly undercut himself. Bill’s character is a catharsis to his friends who
have, for better or worse, moved on from their high school legacies and
embraced domesticity. Bill’s talent as a barber, however, unites him with Hank,
as he is the only one capable of giving Hank his signature haircut. But even
before this, there is a resounding love Hank feels for his friend Bill, and he is
always willing to cheer him up, if only to distract Bill from how depressing
his life is.
Cotton
Hill, Hank’s father is a WWII veteran who was crippled by enemy fire in the
Pacific Theater. Often prone to exaggerating his stories, Cotton hangs his
suffering over the heads of all he meets, his son Hank foremost, and Peggy as
well (who Cotton only refers to as “Hank’s Wife” in a chauvinistic and
demeaning tone).The conflict between Hank and his father dominates the show
throughout its run, ultimately ending with Cotton’s death. Mostly this is by
contrasting vitality. Hank, who is getting older and struggled to conceive his
son Bobby with Peggy, observes his own father (easily in his mid-seventies) impregnate
a trophy wife and who then gives birth to Hank’s uncle. Hank’s insistence on “manly”
activities and hobbies does not compensate for the deep unreciprocated love he
feels for his father. Cotton essentially serves as Hank’s bully in the many
flashbacks to Hank’s youth. Still, Cotton is outrageous and principled, nearly
making up for his deficiencies as a husband and father. In one episode, Cotton
is forced out of a home that he can no longer afford. After a failed attempt at
rejoining society, Cotton contemplates suicide, so that his wife and newborn
can benefit from a large life insurance policy. And as Hank realizes what his
father is about to do, he discovers his father teaching his newborn how to
shoot in the attic of the VFW. And Hank, relieved, is able to convince his
father to accept financial assistance, which Cotton begrudgingly accepts. Like
the entire cast of King of the Hill, Cotton is portrayed as a flawed individual
with little to like about him as a person, but can be endearing for his severe independence,
as appears in the following recounting of his war exploits against Imperial
Japanese soldiers:
“I
was fourteen, just a little older than Bobby. But I knew Uncle Sam needed me,
so I lied and signed up. We had beat the Nazzys in Italy, and they shipped me
to the Pacific Theater. A Tojo torpedo sent our troop ship to the bottom. I
could only save three of my buddies: Fatty, Stinky, and Brooklyn. They were
kind of like you fellas [to Bill, Dale, and Boomhauer], only one of them was
from Brooklyn. Out of the sun came a Tojo Zero and put fitty bullets in my
back. The blood attracted sharks. I had to give 'em Fatty. Then things took a
turn for the worse. I made it to an island, but it was full of Tojos! They were
spitting on the U.S. flag! So I rushed 'em, but it was a trap. They opened fire
and blew my shins off. Last thing I remember, I beat 'em all to death with a
big piece of Fatty. I woke up in a field hospital, and they were sewing my feet
to my knees."
Without
any hesitation, I can say definitively that Hank and his son Bobby’s
relationship is a definitive study in character development in the medium of
television. What I find so charming about Bobby is how different he is from his
father. While Hank is very aware of who he is and what he wants to be, Bobby
continuously vacillates between hobbies, others characterized as bizarre and
unconventional. Bobby’s tenure includes stand-up comedy, professional dog
dancing, being a magician and ventriloquist, playing soccer, and adopting a
feral raccoon. Each of these bizarre hobbies, of course, irritates Hank, yet
the ultimate result is Hanks’s acceptance of his son. This constitutes a
dynamic relationship underscoring Hank’s prejudice, but also his willingness to
challenge his beliefs because of the love he has for his son. Oftentimes the
end result is Hank “winning Bobby over” with his conservative values, but the
progressive attitude of Bobby opens Hank’s mind to new experiences and beliefs,
chiefly with his relationship with his neighbor Kahn Souphanousinphone’s daughter
Kahn Jr. (alluding to Kahn’s own disappointment that he had a girl, instead of
a boy).
I hope
I still have you with me. (I love this
show!) Suffice to say, I will leave you with this final picture of how King of the Hill masterfully completed its
arc in the concluding season of the show. In the final episode it is revealed
that Bobby is very adept at grading butchered meat, and he takes his talent to
a national competition where he ultimately wins. The closing shot of the show
is Bobby and Hank grilling together (as Hank is an enthusiast of “propane and
propane accessories”), finally united by a complimentary hobby. It’s a
beautiful moment of unification, where opposites attract and Hank is truly,
without pause, proud of his son.
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