Friday, September 1, 2017

A Concise Summary of My Recent Wit

This is not one of those blogs where I write something once or twice a week. It was... but look where that got me: depressed and stressed out. Today, I'm sitting in a dark room, lit only by a solitary LED desklamp in the far corner of the room, casting soft, unobtrusive light across the floor. Soft shapes decorate the room, stains of darkness on creme paint. The desk is cluttered, even after a thorough cleaning. Piles of to-dos and unfinished books vie for my affections, while a monitor stands erect, in defiance of taste, acting as a mirror.

I don't play video games anymore. Or I play them, but in secret, like a fat man binging in shame, squeezed into a 1999 Honda Accord, with mounds of cheese and animal flesh scattering his torso, under the tangerine hue of the dwindling twilight. Little by little do I understand the vampire-esque habits of my parents who dealt with me in the daylight only to flourish in the night. This is amusing to me, because I used to be a "night person," staying up late at night, watching Adult Swim and checking my Facebook for unexpected contact. Fleeting moments of relief in the endless screams.

I've been looking at my progress over the past few months and I am satisfied where I'm at. The balance struck between obligation and dedication is at the apex straddling commitment and poised to fall one way or the other. But with finesse and fortitude the armistice prevails. While I have been awaiting feedback from my second book, I've started a novella anthology featuring the primitive objects of my worship as a younger man: the tall tale men of Americana. Pacos Bill, John Henry, Paul Bunyan, and Johnny Appleseed are on the move, acting independently of one another in a collage of tales. It's actually not a bad start, and I've felt very satisfied with the end result. While not being as heady as my previous works, it is probably the most human work I've attempted, hoping to evoke the struggles of the American everyman, post-frontier.

My good friend, and fellow man-child, Desmond Write was able to return, at long last, the notes I sought from him for the aforementioned "second book." And while the chafing, yet witty, scathing, yet instructive, remarks of  my contemporary be, I've been able to get a good laugh out of my nascent work. Too many writers think of their tear stained lyric as the poetry of the Gods, yet can't see through their smeared eye liner how shit their prose is. Desmond is the kind of friend that shits on your book, then uses the excrement to stencil in a greater, more profound, foundation. Lesson learned, and always remember: a derisive commentary deciphers opportunity, but a flattering rhyme incites pride.

That's it.

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